something new


Richard Long now at Lisson Gallery.



Brazilian artist Henrique Oliveira recently completed work on his largest installation to date at Museu de Arte Contemporânea da Universidade in São Paulo. Oliveira uses the repurposed wood pieces as a skin nailed to an organic framework that looks intentionally like a large root system. Because the space provided by the museum was so immense, the artist expanded the installation into a fully immersive environment where viewers are welcome to enter the artwork and explore the cavernous interior.

(Source:, via exhibition-ism)



located 60km outside of Doha at the Brouq Nature Reserve near Zekreet— 4 steel plates span 1km, placed amidst a natural corridor formed by gypsum plateaus

 ”This is the most fulfilling thing I’ve ever done— It’s a piece that I’d really like to be seen, and I don’t know if it will be.” 
Richard Serra

*images sourced from multiple outlets, credits appear in image captions


Ana Teresa Fernández, Borrando la Frontera, performance, 2011.

The surreal act of erasing a border is documented in the short, Borrando la Frontera. A woman in stilettos and a black cocktail dress scales a 30 ft ladder on the sandy beach of Tijuana, bringing the sky back between Mexico and the US, as she paints the dividing fence blue. The film depicts the peace offering of creating the illusion of a “hole in the wall.” The protagonist becomes more visible as the wall starts to disappear into the blue sky. Her attire, the little black dress reflects the notion of prosperity in the US, moreover the funerary symbol of luto, the Mexican tradition of wearing black for a year after a death. Mourning those who have died in attempts of crossing this border to prosper.

Woodstock Film Festival

(via darksilenceinsuburbia)